WWNBB#075 - Back On My Wall

by Burnt Palms

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  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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  • Record/Vinyl + Digital Album

    Vinyl pressed on classic black. The package includes a CD with the demo version of the album before recordings, and an insert.
    FOR ORDERS IN THE US OR IN $ REFER TO OUR US SHOP (or shipping costs will be crazy!) wewereneverbeingboring.bandcamp.com/album/wwnbb-075-back-on-my-wall

    Includes unlimited streaming of WWNBB#075 - Back On My Wall via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 5 days

      €18 EUR or more 

     

  • Compact Disc (CD) + Digital Album

    FOR ORDERS IN THE US OR IN $ REFER TO OUR US SHOP (or shipping costs will be crazy!) wewereneverbeingboring.bandcamp.com/album/wwnbb-075-back-on-my-wall

    Includes unlimited streaming of WWNBB#075 - Back On My Wall via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 5 days

      €10 EUR or more 

     

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about

Sometimes you hear about the syndrome of the “difficult third album”, but in this case the newest work unveiled by Seaside (CA) based Burnt Palms is their most inventive work to date. If the previous record The Girl You Knew thrived on the contrast between the compact sound of the garage guitars and the lightness of singer Riley’s voice (the preferred reference among reviewers has been the Dum Dum Girls), this time the writing shifted--pouring in indie-pop melodies and a predilaction for faster rhythms. The work in its entirety aquires a character of spontaneous vitality and immediacy that closely resembles historical formations of the nineties, such as All Girl Summer Fun Band or Heavenly.

credits

released February 5, 2016

Back on my Wall was recorded at Speakeasy Studio in San Francisco, but it’s on the east coast at Marlborough Farms in Brooklyn that it was finalized. Perhaps it’s in this double-character, split between the sunny beaches of California and the urban bustle of the East Coast that lies the secret charm of the album. Part of the credit for this sound probably goes to the engineering work done during the recordings by Gary Olson, founding member of Ladybug Transistor and producer of bands like Crystal Stilts, Hamish Kilgour, Frankie Rose, Jens Lekman, and many more.

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We Were Never Being Boring Collective Italy

We want music to never turn into something boring for us. It would mean that we have become boring. Because music does not die with mp3′s or copyright: boredom is what brings it down, when it becomes a habit. All we need is a small do-it-yourself collective, as tiny as a simple smile. ... more

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